The first time I was introduced to Veronica Greens' work was about a year ago at the NYC Affordable Art Fair. On display were these incredibly detailed paintings that took a unique perspective of a childhood classic, Alice in Wonderland. I was already taken with the work when I was then told that the painting was a two for one because it basically glows in the dark. My initial reaction was: Shut the F*&k up! That was the term that captured my excitement for this artist. I k

“I’m glad you came to this decision yourself. I know you put a lot of time into this, but I believe this is probably best for all involved.” In this scene, there are no tear-streaked cheeks, no promises to do better, no begging for a second chance. Thirteen-year-old me stares the middle-aged, ruddy cheeked Mr. Polk straight in the eye, trying to decipher if I feel relief or offense that this man is letting me go so easily. No ‘Sad to see you go’? No ‘You’re making a mistake—p

A big turn off for people getting into collecting art is the cost. It's hard to get into art if you can never afford to own any of it. I mean, at least for fashion there are outlets like Century 21 that can get you those Prada labels for a fraction of the original costs. Well, the same theory can be applied in collecting art, especially when you first start out. My home is filled with art and when people come over they are blown away, mainly because they probably think I